关于艺术家 | About the Artist

王黑龙1984年毕业于南京艺术学院工艺美术系，曾受教于刘海粟、张道一、林树中、江宏伟和朱新建诸先生，是为其艺术生涯的起始。其后曾在大学执教八年，又从事空间设计近三十载，在全国多地包括香港地区均留下了重要的有影响的作品，获得过包括美国IDA、新加坡SIDA、伦敦OPAL、APIDA及中国金堂奖等重要奖项。非艺术领域的经历为他打开了更广阔的视野，积累了关于空间、材料和构成的丰富经验，同时近年社会环境的剧烈变化也加深了他对人性和人类境况的理解，促使他重返艺术创作的实践。

Heilong Wang graduated from the Department of Decorative Arts at Nanjing University of the Arts in 1984, where he received instruction from notable mentors such as Liu Haisu, Zhang Daoyi, Lin Shuzhong, Jiang Hongwei, and Zhu Xinjian. This marked the beginning of his artistic journey. Subsequently, he taught at a university for eight years and has been engaged in spatial design for nearly three decades. His significant and influential works can be found across various regions in China and Hong Kong, which have granted him prestigious awards, including the American IDA, Singapore SIDA, London OPAL, APIDA, and the Chinese Jintang Award, among others. His experiences outside the realm of art have broadened his perspective, providing him with a wealth of knowledge in spatial design, materials, and composition. In recent years, the profound societal changes have deepened his understanding of human nature and the human condition, prompting his return to artistic practice.

王黑龙作画不拘泥于特定的主题或形式，一般会由某个契机或因子触发，如偶得图片、经典画面甚至一种视觉肌理的诱发。他不习惯传统的主题先行或当下流行的观念先行的创作方式，而是相信冥冥之中的安排。他试图让过程本身引导自己去发现或揭示其中潜在的意象，并在其中加以发挥。当然，也不排除一些自发的引导。

Heilong's approach to painting does not adhere to specific themes or forms. It is often sparked by a particular catalyst or factor, such as an accidental encounter with an image, a classic scene, or even the stimulation of visual texture. He does not conform to the traditional approach of predetermined themes or the prevailing concepts of the present. Instead, he believes in the mysterious arrangements of fate. He endeavors to let the creative process itself guide him in discovering and revealing latent imagery, allowing room for spontaneous guidance.

王黑龙喜欢单纯的画面结构、感性直接的表现和多义的表达。由于过去的经历，他对纸张有种天然的亲近感，从中国手工纸、高丽纸甚至新闻纸——因为后者，他甚至喜欢印刷物的特定肌质和味道，这些在他的作品都有体现。

Heilong appreciates the simplicity of pictorial structures, direct and emotional expressions, and multi-layered forms of communication. Due to his past experiences, he has a natural affinity for various types of paper, ranging from Chinese handmade paper to Korean paper and even newsprint. In fact, he finds appeal in the specific texture and aroma of printed materials. Such elements are often manifest in his works.

虽然身处当代艺术的语境，也经历了政治化、权力化和商业化的话语压迫，但他对中国文化的内在精神始终痴迷，并总是下意识地在创作中去表达——中国文化在近现代所受到的冲击和蜕变。

Despite being situated within the context of contemporary art and having experienced the political, authoritative, and commercial pressures that come with it, he has consistently been captivated by the intrinsic spirit of Chinese culture. Subconsciously, he always seeks to express this fascination within his artwork, hoping to reflect the impact and transformation that Chinese culture has undergone in the modern era.